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About

Ritual and rave, in the same room

Immortal Baba is an electronic music artist, DJ and producer whose sets fuse ancient mysticism with modern sound. Built on deep grooves, psychedelic textures and ritualistic energy, his performances are designed to awaken, connect and transcend — blurring the line between ritual and rave.

The journey

Immortal Baba makes music for the hours when a dancefloor stops being a room full of strangers. Working across psychedelic, progressive and downtempo electronic forms, he builds sets that move like ceremonies: patient at the opening, relentless through the middle, and quiet enough at the end that people remember it.

The sound is a deliberate collision. On one side, the rhythmic and modal language of Indian classical and folk music — tabla, dholak, drone, raga-derived melody. On the other, the machine precision of contemporary electronic production: long-form arrangement, deep sub-bass, and texture that is built rather than sampled. Neither half is decoration for the other.

That approach comes out of playing to real rooms rather than to a format. Underground nights, beach stages, forest floors and festival closing sets each ask for something different, and the catalogue reflects it — from the ash-and-afterglow of Bhasma to the driving ceremony of Rituals of Existence.

He releases through Ragadelic Records and continues to perform across India and beyond. The intention has not changed since the first set: same frequency, different places.

Immortal Baba behind the CDJs beneath a hand-painted canopy, gesturing towards the floor

Based in

India

Performs as

DJ set · Live act

Sound and philosophy

What makes it different

Four things hold the music together. They are the reason a set sounds like this one and not like the one before it.

  • Sound

    Psychedelic and progressive electronic music built on deep, patient grooves — arranged long-form, for rooms rather than playlists.

  • Roots

    Indian classical and folk rhythm and melody, used structurally rather than as ornament. The percussion is the argument, not the garnish.

  • Ritual

    A set has a shape: an opening, a threshold, a peak and a return. It is programmed as one piece of music, not a queue of tracks.

  • People

    No borders and no hierarchy. The floor is the point — the artist is one more person in the room, facing the same direction.

Influences

Where the sound comes from — and what each one actually contributed.

Indian classical percussion
Tabla and dholak phrasing; tala as arrangement
Goa and psychedelic trance
The long build, and the discipline of restraint
Progressive and organic house
Groove, patience, sub-bass
Devotional and folk singing
Melody that carries meaning without words
Dub and sound-system culture
Space, delay, and the weight of a rig
Ambient and drone
How to make ten minutes feel like two

Milestones

  1. 2026

    Rituals of Existence

    In progress

    Latest single, released through Ragadelic Records.

  2. 2026

    Festival stages

    Completed

    Performances across Goa, Kasol and Ujjain.

  3. 2025

    Trikala EP

    Completed

    First long-form release — three movements, one idea.

  4. 2025

    Ragadelic Records

    Completed

    An ongoing home for the original productions.

Not just music. A state of consciousness.

Hear it, or bring it to your city.

Enter the frequency.

Not just music. A state of consciousness.

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Releases, dates and the occasional mix. No noise.